![]() ![]() Narrative/experience design and interaction mapping, while not the foci of the course, are covered. In addition to technical training students study and discuss the importance of narrativity and meaning within time-based, interactive works. ![]() Students receive a detailed introduction to creating personal and collaborative works with Unit圓D using best practices for scene/level/environment design, interaction, basic coding in C#, layers, sound, animation, and more. Unit圓D is a powerful cross-platform 3D engine and a user-friendly development environment for interactive, time-based projects this course is a mix of formal/technical training and experimentation. In addition, students also produce a future edition of Framework, a weekly sixty minute international radio program dedicated to field recording and it’s use in composition. Topics covered include soundscape theory and history, microphones and recorders, in field techniques and tools for recording sound, working in a variety of locations, basic sound editing and composition, working with Natural VLF (Very-Low-Frequency) phenomena, micro-sound, aural architecture, noise, hydrophones for underwater recording, building contact microphones and acoustic composition. The course takes an anthropological approach and consider how different cultures, urban development and humans have influenced our sonic environment throughout history while considering its positive and negative effects. This course provides an introduction to field recording and field recording composition (phonography), acoustic ecology and concepts of deep listening through the exploration of multiple acoustic environments throughout Baltimore City and its surrounding counties. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |